Paranormal Essex and Haunted Southend

By David Scanlan and Paul Robins; Dee Gordon

Paranormal Essex:

From the publisher’s website: The first book to explore, in depth, the complete range of paranormal phenomena reported throughout Essex. Published in a handy A-Z format, you will find accounts of well-known hauntings, as well as many previously undiscovered locations.  This fascinating account of local ‘sightings’ looks at traditional historical legends as well as modern day experiences, providing fresh knowledge together with the author’s personal accounts of new and traditional stories.  This ghostly tour of the area is illustrated with many of the authors’ own photographs.

Haunted Southend:

From the publisher’s website: The popular seaside resort of Southend-on-Sea has long been a haven for holidaymakers, but the town also harbours some disturbing secrets . . .   Discover the darker side of Southend with this spooky collection of spine-chilling tales from around the town. From ghostly sightings in Hadleigh Castle, ominous sounds and smells on the seafront and tales of mysterious shapes at the town’s pubs and taverns, this book is guaranteed to make your blood run cold.  Illustrated with over sixty pictures, Haunted Southend will delight everyone interested in the paranormal.


Paranormal Essex, Amberley Publishing, May 2012. ISBN-13: 978-1848684607; Haunted Southend, The History Press, January 2012. ISBN-13: 978-0752460826

Reviewed for the SPR by: Tom Ruffles


Essex is an extremely varied county, ranging from the attractive to the … less attractive, and these two books, published by Amberley Publishing and The History Press respectively, delve into its often murky past.  Both are well illustrated, though a significant proportion of the pictures in Haunted Southend are generic clip art images that add nothing to the local history ambience.  Neither volume has an index.

Paranormal Essex is written by David Scanlan of the Hampshire Ghost Club (his involvement some way from his home turf is not explained) and Paul Robins of Essex Paranormal.  It starts with advice on spontaneous case investigation, discussing equipment but not, as some groups do, fetishising it.  Most of the forty location entries, listed alphabetically, are quite short, so this is a fairly brisk read despite the number of places included.  More space is devoted to Borley Rectory and Matthew Hopkins, though even these entries are briefish, and tread well-worn ground.   The most interesting sections are those detailing investigations by paranormal groups, such as at Coalhouse Fort, the Red Lion Hotel in Colchester, and the, er, Kelvedon Hatch Nuclear Bunker; or those containing witness statements.  The blurb claims that the book explores “in depth, the complete range of paranormal phenomena reported throughout Essex.” But it is fair to say that it does not live up to that promise.

Unlike the authors of Paranormal Essex, Dee Gordon is not a paranormal investigator, but is a professional writer mainly specialising in Essex history.  A Southend resident, she is well placed to write about its paranormal side, and has been assiduous in combing newspaper accounts and talking to locals.  The book takes in a larger area than just Southend, covering places like Leigh-on-Sea, Westcliff and Shoeburyness as well as some of the local villages.  While she has packed in a lot of locations, navigating her text is not made easy for the casual reader.  The contents are divided into: haunted houses; churches and rectories; commercial buildings; open spaces; watering holes (ie pubs, hotels and restaurants); unlikely haunted locations (really a few cases hard to fit into the categories employed); and phantom dogs.  Looking for a specific place requires some thumbing (the pier, for example falls under haunted houses), limiting its use as a guidebook.  For the armchair reader, though, it is an enjoyable tour of the Southend area.

The History Press also publishes Paranormal Essex and Haunted Chelmsford, both by Jason Day, Haunted Essex, by Carmel King, and Essex Ghost Stories, by Robert Hallmann.